The magnificent actors did not their only interpretation, they also draw and they take us to the poetry and the mystery that wraps up.

The day ended with Titzina’s “BÚHO”, at the Pazo da Cultura. A theatrical piece with a narrative that mixes cinematographic language procedures with others of the Chinese shadow theater, objects and even physical theater. The story of a forensic anthropologist, specialized in Paleolithic sites, who suffers a stroke and loss of memory. The show dispenses with dramatic form and, in that more cinematic and fragmented narrative, achieves scenes of verisimilitude that even distressed me. I was quite impressed, many times I think that my memory is failing me or that it is not responding to my requirements. But I was also able to enjoy, thanks to that sublimation in which the magnificent actors did not their only interpretation, they also draw and they take us to the poetry and the mystery that wraps up. The mystery of the mind linked, here, with the mystery of those bones of that first artist who painted bison and deer in the cave where, supposedly, the protagonist anthropologist had the accident.
I think there can be no better way to start autumn. Chestnut time, of mushrooms, of extraordinary colors in the forests, but also of gathering in the theaters in the heat of ancient living arts. We are already in winter, but it is stil autumn.